Posts Tagged ‘Mocking Myself’

Stroganov Likes Smetana


19 Apr

———-

———–

I/You

 

the more I live the more I think

two people together is a miracle

 

- Adrienne Rich

 

I am not soft, nor sentimental

it is true

but, I do not believe in competition

am I

I am but what you’ve made of me

a wreckage of derelict machismo

discovered by an azure-blue dusk

falling

I am a golden button on your blouse

the suffering string tether that binds me to you

slowly limping into the dream of embezzlement  

underneath your index finger  

a binding breaking; a freedom, maybe

but, loss – most definitely, loss

becoming myth

becoming fabulism

becoming nothing

a drowned island

that future eyes will never see

and I should end it there

because the past twenty explain it well

but you know that I always have more to say

especially about that time

you know which one

five minutes after it was over

like a war when all stood still

divided in binary solipsism

a wounded poet and his despotic muse

surrendered to themselves

alone, each in an empty cavity

that holds them firm and prim

the leftovers in a funereal fridge

a hope that’s prone to spoil to be devoured soon

soon enough

am I

I am

are you

becoming bracelet for your tyrant god

becoming abandoned night

becoming nothing

———

Frank Would Dig It!


13 Apr

—————

————–

Apple

 

Mike’s painting was called SARDINES

and I wrote a new poem

which was only a bit burnt

and I sent it out immediately

to everyone I knew

and then I hated it

immediately, and with an unfortunate politeness

and myself

and the bowl of fruit on my writing desk

that distracted me

nagging me with the accuracy of a spouse

with its nectarous abundance

but it was only words

and I heard that Mike’s show went well

he sold most of his pieces

but not SARDINES

it did not go

it remained

lit up in the dusk of the SoHo gallery

with the ugly green awning peeling as a renaissance

so I walked around my room

because now I had the time

pacing like a script written on a Saturday

and then deciding on it

I sat back at that

accursed writing desk

exposed a flaw

noticed an arenose ekphrasis

tried to circumvent the suicide of the pen

and ate an apple  

————

 

No Matches (The Last Poem on the Other Side)


08 Mar

———-

———-

I believe if something in your life is causing you to start cracking, you can take temporary control of it by letting it pass through you – as a writer, drink, or imbibe your preference, to the point where you are so nihilistically light that you become a vessel for your art, and though you are not functional within any other facet of your life (nobody walks much anymore anyway), this state allows you to not care. You have to put the work in though, don’t misconstrue the difficultly of taking in enough where if someone was to stick a barrel like a telescope to your eye, you would simply sigh and shrug your shoulders. Hopefully this doesn’t happen. Hopefully you’ll simply stumble a bit and write what comes. The following piece was my experiment with that nihilistic lightness found throughout last night. I corrected a bit this afternoon, but it’s much the same as it was born – I know I liked it so much more yesterday, but a new day makes things take upon next meanings. That’s inevitable.  

“The Party (The Cruelty of Sol Invictus)” should be coming sometime this weekend.

An updated Official Material section should be here around the same time.

———-

Diminishment (Music on Fulton Street)

 

“awhile,

awhile

senseless with a sense of style…

Ny chto kletka, kakaya kletka?!”

                         -  Andrey Bystrov

 

 

I’m seeing it

fascinated again

it is a cold morning

around, surrounding

it is neither rain nor sleet

nor us

it is smoke

from angry throats

crimson, criminal and still burning

we creak and crack like coal

becoming

slowly becoming

the childhood of illusion

memory made impotent

a prelude to a play that never takes place

(a bang, bang bang

upon a window pane)

Eliot and Hughes sharing ribs

an emigration from sentimentality

a heart that does not need to beat to explain itself

too destitute to buy a medical text book

 

My teeth hurt so I know I’m close to death

this is the time to write

the next

diminishment

drinking yourself out of life

like a holy sacrament

or bartering for an indulgence

you become the landlady

of the soul

a casual, curving lunacy

a blade next to a pop song

(a sing, sing sing

slung along a midnight sling)

either a genius or a drunk

complicated only by time pretending to be jewelry

and lips used for divergent bliss

a death that lives again

erasing grammar and good taste

 

Does is make sense

or is it a withering

since?

Should it be shattered

broken

busted

dismembered

discounted

demolished

done

broken

disassembled

exposed unto nothing but light and cages

stages and massive trucks

that haul stooges like myself from chopping block to block

in mockery of my profession

of lifting drifting pneuma unto natural progression

but all of it in such amused terms:

and I say that all this pretentious bullshit had to go

I hope that you’ve all enjoyed the show!

(Off the narrative strip

she dances off the page,

beguiled,

and did you expect

to end

this fascination

my frenzied frontier of self-annihilation

the dreaded father of deathly self-invention

all ends

we stir the strip

we slip awhile

we slowly languish for the call

of nothing deadly

only a ditty, some years

in a full imagination

with color full as August lips

and then I mentioned them again

again, again again

it is a close succession closing)

————–

…in a real dark night of the soul it is always three o’clock in the morning, day after day…


02 Feb

———

———

Well, fuck it, originally I was going to leave this piece unpublished, but have now decided against it. You might ask why I didn’t want it floating around, or why I decided to put it up here now all of a sudden – but most of the answers to these questions are inconsequential: it is enough to say that I’m deep into the editing of my novel and also have felt mostly uninspired in the last week or so to write anything new of value. This is a good vignette and should be read, so why keep it out of Tumult’s canon.  This piece was written almost exclusively during the first week of Hurricane Sandy’s impact on NYC.

———-

With Sandy in the Rockaways

 

            I guess I have to concede that God does actually look down on pornography – the judgmental bastard! – because as soon as I got ready to masturbate to a particularly filthy video online in the grandiose spectacle of Hurricane Sandy surrounding me: there’s an eager tempest and the water surges with the wind like the forethought of an air raid; it’s almost in color, I could hear a crackle and it’s gone, the electricity is out. Outside, the ocean has overcome the barrier of the boardwalk and has flooded the streets with about five feet of salt water mixed in with trash and septic refuse. There’s an ambulance truck floating along the road. A symphony plays from the alarms of parked cars befuddled by the tenacity of nature. I guess I’ve always wanted to read The Brothers Karamazov by candlelight, while my dick is still covered in hand moisturizer.

            I wish I hadn’t smoked all my weed on Sunday. It would abet the cold salmon from the fridge; to be eaten less out of hunger but more as a preventative measure against the tartar sauce spoiling.

           

            I hear that in order to kill a man and sleep, you need to hate mankind coldly or love mankind absolutely:

            My love was an act of war. Against myself. Against reason. I had too much of it like a Belle & Sebastian song.

            The weather was finally calming; it smelt like pussy and whiskey and I liked the taste it left in my mouth. Enjoyed the sting. Enjoyed the story. The spine, the spree of this existence.

            Don’t forget that there’s four hundred years in this hallway and too much time to spend.

 

            And I still dreamed even in pitch black.

            I made it to my uncle’s place in Harlem the next morning, having left at six as soon as I figured that the Cross Bay Bridge was finally pushing traffic through. I wanted to take my first shower in nearly three days there and drop the car off so that nothing would happen to it while I deliberated on where I could stay for the time being. I figured I’d go back early for some clothes and books that didn’t fit in the car (there was no backseat, and the trunk was holding my large brown suitcase that I called Nabokov, that I had already prepared for a literary trip to the vaunted west coast two weeks from now).

            Before enduring another necessary long journey though, I decided to hop the 1 train and see Robbie who was staying at his cousins’ chop shop on 230th and Kingsbridge in the Bronx to rustle up a couple of hurricane nuggets of hash to help the nausea that’s developed from my pulsating anxiety, and to force me to read election day dystopian editorial fiction published in some men’s magazine – who’s name needn’t be further promoted here because they do quite well without me – it was the only bit of reading material I had available to me on the long subway ride towards the Rockaways, now stuck in the dead zone of the MTA circle jerk: all the trains, buses rerouted at will with the urgency of KY jelly and bad news. I got there at 5:37PM. It was dark. I was informed by a troubled pedestrian that resembled a shadow in a fog that the Q52 and Q22 stopped running at 6 o’clock on the let’s-get-the-fuck-out-of-here dot.

            So now I find myself stuck here again like a squatter with two spliffs, no electricity, no heat, no food except for the box of Kebbler Elf cheese crackers and a container of [no longer] freeze dried coffee. I have 6% power left on my little laptop and I’m playing the Minutemen, looking for some Peter Tosh to cue up next.

            Maybe there’s a bottle of white wine that Tristan left somewhere here, but I can’t find it. Only corks. I’m sure to look for it again in a few hours.

            I start to miss her, but I have music, and I light the first joint from the tip of a candle burning, writing:

 

            Like an elegiac Sid and Nancy

            he grew stiff when she played fancy

            like a junkie in the dance

            he purloined her morning robe in slow advance

            and when the breath of her did fall

            she moaned victoriously like a squall

 

            And I was happy enough for now.

            But I had spent such an unrecoupable longing craving her that now having her here made me feel ashamed. I had to look but I discovered that that there was some goodness left and laughter and it was all I needed.

            All storms eventually pass and we end up feeling like we lost this, our new shelter. Love, reckless, is much the same – except there’s no FEMA check to expect in your mailbox once the devastation is finally qualified and settled.

———–

Although a large amount of research has been carried out, the exact mechanism of action of ECT remains elusive, and ECT on its own does not usually have a sustained benefit. There is a significant risk of memory loss with ECT.


04 Jan

———–

———-

Love like Electroconvulsive Therapy

 

The poor dream big

(I know it to be true)

the beggars

———-borrow

———-burdened against god

and maybe you know someone like me

stifled by the eyes on the other side of paradise

and the music plays

like a madman

a savage in a monastery playing checkers with some demented Gogol

who spits like a limerick from a child’s lips

and

there’s a broken coffee mug with the vodka

that never made it to the freezer

sitting next to me

speaking in the mouth of Severin

“she can only be his slave or his despot, but never his companion”

and when I taste it

it swallows me

reminding me of how much I wanted you

the clouding of brutality

I needed you, I thought

but

I can’t write you anymore

the dreams you flaunt get lost like dirty socks

I know they all do

all did

but I can’t imagine you feeling anything

though,

goddamn, you look good naked

and I wanted to see you

watch you

as you took the teddy off

touched yourself

while I said something strong

pretending that I was

pretending that loving you

wasn’t like rooting for the Mets

a futile exercise in sadomasochism

excursive

always travelling but never there

and you know how to

trade sex like a punch to the ribs

and I’ve been beaten and said “thank you” every time

you’ve gotten yours

and I’ve almost gotten mine

this adulation caused some seizures

first I was sick, then I was saved

and then they took the electrodes off

and I alleged that I was feeling better now

and, weakened but resolved, I walked out

to wander

sane

and alone

———–

Just a Shit, a Shower and a Shave away from being an Upstanding Citizen


19 Dec

————

————

Almost as Fucked Up as Willem Dafoe’s Face After the Cripple Fight in Born on the Fourth of July or a Postcard from Jail

 

Ain’t it a bitch

when all I want

is

a clean, gray place

where I can smoke

where there’s no rent to pay

where I can look

at merciless long legs

that still get my dick

hard

and I want to drink there

drink them

and then I want to die there

whether between those legs

with my head

bowed

upon the warmth of a cunt

or in my own sick

dead

without a hand on my wallet

without a television broadcasting a war

without any insincerity left

free

like a blowjob that didn’t make you pay for dinner

in that place

where no one asks

“what will you give me if I do?”

 

———-

A Brief Remark About All This Bullshit


24 Aug

————–

Orphan OR “Row, Row, Row Your Boat” is the most nihilistic tune ever written for children…

 

When my life makes sense again

and I’m back on my feet like a hitchhiker

I’m going to fall in love with you

because I need someone to be warm to

because we are the disenchanted generation

that transitioned from crystal meth to bath salts

from being lotharios to suffering whiskey dick on futons 

and all I want to do is become an accomplished author

reach a global audience

see the blood rush to your face when you let me cum

move to Zimbabwe

win a Man Booker Prize

after claiming residency

then write a poem called “Jesus H. Faggot”

to offend everyone

and then disappear

————–

————–

            So, we finished our first shoot for the second short film (“Waking Up”) this past Tuesday night.

            The opening scene required some extras to sit around me while we listened to a street musician singing (played masterfully by Jonathan Murphy of Cave Days). But guess what we didn’t anticipate? That in the same corner of the park where we were set to shoot, that fucking 90’s college-hash-jammers Dispatch (I can’t imagine that someone remembers them aside from a light acid trip and “The General”) were set to be playing a surprise show! Unbelievable – fucking Dispatch?! You can’t make this shit up.

            But, fortunately, we got through it. We wrapped the first day successfully.

            Then we went to the bar.

            Then we drank a lot with college kids who were all entertaining in varied ways for a $1 a pint in an out-of-the-way NYU bar in Greenwich Village where the bartender knows that I know how to tip even when I’m as broke as artist cliché needs to be.

            I stumbled home when I realized that two of my friends were obnoxiously intoxicated and trying to hit on a 19-year old young girl outside who was shouting, as a an obviously-illiterate literature-major, about her stringent, unprovoked hatred of Hemingway (full of “he’s just a misogynist with short sentences” simplifications), making her sound like an Amish girl from Utah pontificating on the hip-hop merits of Watch the Throne (that shit cray).

            On the train home at 4:30am, I ran into a girl that works with unceasing optimism in the supermarket down the block from my apartment, always ready with a joke about the fact that I’m the only person to buy malt liquor from there at 9 in the morning before they’re even ready to restock.

            I usually remind her that some of us have unwavering principles and ambitions, I guess. The problem is that I never remember her name. But then, what’s in a name. No easy Willy Shakespeare puns to be inserted during lasting hangovers.

            She was with her boyfriend, whom she didn’t seem to enjoy too much, and another couple, as well as an older woman that seemed to be playing the role of an unnecessary chaperone.

            Eventually I drunkenly got into a discussion with them regarding my idea that the only accessible divinity that is available to us resides within the warm, engulfing nurturant of woman (“nurturant” as a word to rhyme with a pretentious line like “the religious god as hyperbolic cormorant”). A sensual argument no doubt – but I think it went over well. At least I didn’t start breaking down Ziggy Stardust track by track because it was stuck in my head like the onset of schizophrenia.

            After finally stumbling home, I listened to a friend’s reggae cover of Nirvana’s “Love Buzz” a few times while smoking a spliff with pineapple kush and L&M tobacco and wondered why I describe settings without any relevant information and why I write the same thing over and over and why I haven’t been embarrassed for my sincerity in such a long time.

            Then I fell asleep.

            Onto a new dreamless day. 

            Cheers.

 ————

The “Working” Writer Finds Himself Cool, Sober and Nearly Broke


17 May

————

A very peculiar clip I recently discovered: some strange, circus-like, Greek band covered/adapted one of my favorite Bukowski poems (“To the Whore Who Took My Poems“).

http://www.youtube.com/watch?v=DogBVN7wTJ4

———–

Jack Gravely Makes Yet Another Remark About Dylan Thomas in a Long Sentence Written in a Relative Daze While Smoking the Last of his Cigarettes

 

The dogs weep with craven bellies

then contort in deathly quietude before my feet

like an Aimee Mann song whimpering across a film soundtrack, or

like broken ramparts belying sanctuary antithetically to an unending siege that plods along dully and purposelessly like the wrath of a god waking from a lengthy dormancy with a hangover and no Tylenol in His medicine drawer.

The dogs see me as the amalgamation of all minor tragedies

that are whispered like the cycling sands upon the shores of furious dreams

We play softer now because the noise has become an affront to our aesthetic

it’s much too effortless like a drunk phone call to a spurned lover

and my mind is having plenty of conversations with itself –

as was the line in the short film that revealed my madness –

adapted melodramatically from my lived-in novel whose baby teeth have apparently all fallen out and caused a tantrum because the fairy never snuck a nickel under its pillow

There used to be a girl that smelled like Zenax and danced like a Tom Waits dirge that made the punctuation flourish

and made the plethora of ephemera of all of it so majestically imperative

instead of forgiving me this mashing up of one-liners for the sake of starved wit.

(I need a new fucking editor.)

But then,

when I joined the dogs and judges,

and we, with pouted, weather-beaten lips

cried withdrawn against the call of death with such a passionless abandon, it made me amplify monolithically about the rambling Welshman yet again…  

smothered as I was by the past like an explanation for recidivism finding me at another court date.

He drank a lot of whiskey too, but wrote better than I did.  

The dogs, the ones who weep with craven bellies

with no heritage to speak of or to blame

are dressed in funereal rags

they gnaw on an old sneaker hidden like the omphalos of universal truth inside my closet

and they coo about you

when they can

about how your hair looked like someone mixed coal with stardust on a lark

about how your smile was sulfuric when a cruelty enticed you

and how I was fucked, fevered and slightly mad whenever I dared to look for longer than was my allotted time (the red light flashing)

Their howling eventually becomes the sound of my own mouth retching itself clean of a wretched soul; once varicolored and sentimental – now just a quasijocose shade that entertains at hourly rates with old jokes and recycled references:

a cavorting shadow without equal that reminds

that all old dogs eventually die without their supper.

———–

On a Sad Note (Sounds like C minor)


06 May

————

Rest in peace to homey, MCA. You’ll be missed.

———–

Sour in the Web

———-

All I’ve been is interpretation

striving to find a language lost

through which the audience can learn

that even shadows share a hatred

of all this interminable light

which makes us forget so sweetly

all that we’ve ever seen for ourselves.

 

She stands next to me

looking at me deliriously like an vagrant button never sown

on a jacket she threw away years ago

knowing that I saw her as a divine chord

that no one’s mastered to play

another hole in the mystery of existence

a beautiful myth I couldn’t translate.

 

I have blood and phlegm filling up my lungs

but I’m still smoking

because the abjuratory-committed don’t expect me to give up just yet

without another glass of wine

they sit with their liberal arts degrees in their high-walled asylums

getting high on stale Arizona greens

waiting for young Keats to show his face again

because he didn’t quite accomplish all there was in his 25

so he might as well take mine  

like an old Salieri who waited for god’s silence to turn him deaf.

———–

Who’s that talking…?


15 Apr

——–

——–

“No great movement designed to change the world can bear to be laughed at or belittled. Mockery is a rust that corrodes all it touches.”

                                                                                                             – Milan Kundera

 

 

One for Maury Noble

 

There are really no others left

besides the dim and the bored

isn’t that how you put it

both like a pill bottle with a facile throat

audaciously, some of them even turn to criticism

like spoiled teleologists or successful venture capitalists

because they’ve spent so many decades being sure.

Fuck them all, though

all of us, really   

I’ll spend my time

that I’ve somehow stolen off like the pity of a food stamp

well

entertaining the bored

and searching for no more higher truths

while ravaging the dim

(as long as it’s not in my apartment)

where I can

when I can  

when they wear their candied summer skirts

when they can afford my generous premonitions.

I’ll stay succulently

abated and clean

the proof of intellectual futility

the erasure of open warrants because of grammatical mistakes and light skin

the stranded hitchhiker in vague beauty

a sexual appeasement that proves that the only tragedy handed down is falling in love or admiration, especially with someone that treats gin bottles like literary fax machines that send chopped, macaronic bits of belles-lettres from one brain stem to another page for the sake of fanciful emulation…

fuck it, my brothers in drunken penmanship, find a cheaper muse

(preferably of the sapiosexual sort)

that’s like a notice of foreclosure or like another party invitation  

and roam free in your thoughts until you write something amusing

never anything high-minded or loftily designed

because you must have tried before

and failed before

as those who try surely do.

Escape all that

stay safe in the distant eras long since shipwrecked

love them and appreciate them

but create only new fetishes and fetes

always in irrelevancy and incurable bacchanalia

that others will gloriously embolize like a superfluous blood vessel

later on

in their own time

within their own lack of meaning

still simply chorus members with no solos to sing

just another generation of

the dim and the bored

preserved from fear of trying something different

asking whether we’re all laughing yet…

———–

Jack Tsoy Tumult

Morose Pontifications and Other Poetic Ramblings


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